Roger Rabbit and Bob Hoskins in Who Framed Roger Rabbit (1988) RELATED: Best Animated Films Streaming Now: The Super Mario Bros. Oh, I would say the fact that he makes people laugh. Going off that, what aspects of Roger's character do you most admire? And that's where the "p-p-p-p-p" for the "please" came from.Īll cartoon characters, or most of them - according to Richard Williams - have some kind of speech impediment. It just got more Roger, and before it started shooting, they asked me to come up with some kind of a speech impediment. Had he been extremely large, his voice would've had to be deeper, and if he was really little, it would be higher, so those are the parameters of emotional range of the character and the physical dimensions of the character's size.ĭid the voice go through any evolutions before you started shooting? In addition to that information, I had a visual of what Roger was gonna look like, so I had to adapt to that. Well, I think all characters emanate from the script and the actions and words of the character. Where did the voice of Roger come from? Was it inspired by anything (or anyone) in particular? Everybody involved was amazingly talented, so I was pretty certain. I was pretty certain it was a rather pedigreed project: Bob Zemeckis, Steven Spielberg, Richard Williams. After doing several of those, he offered me the job.ĭid you know the movie was going to become the groundbreaking classic that it is considered today? He asked me to come in and help them audition actors for the Eddie Valiant role, to read the character off-camera, so someone could react to it. How did you end up getting the role of Roger Rabbit?īob Zemeckis had seen me do my stand-up.
Who says you can't teach an old rabbit new tricks? An interview with Charles Fleischer, the voice of Roger Rabbit An established actor and comedian, Fleischer is also a published scholar, having written a paper on gamma rays for Cornell University in 2012. In honor of the film's 35th anniversary, SYFY WIRE dug up our 2018 interview with Fleischer, where he discusses the origin of Roger's iconic voice and that long-awaited sequel. There have been plenty of imitators (Ralph Bakshi’s Cool World, anyone?), but there is only one true Roger Rabbit. On paper, it seems like a combination that shouldn't work, but it totally does. Thanks to his unparalleled influence over the world of entertainment, audiences got to see Donald Duck, Daffy Duck, Mickey Mouse, Bugs Bunny, Betty Boop, Woody Woodpecker (a shining jewel in Universal's crown and a longtime mascot for the studio's theme parks) interact with one another for the first time in cinematic history.īut it's the original characters, like jaded private eye Eddie Valiant (the late Bob Hoskins), and the delightfully zany Roger (voiced by Charles Fleischer), who steal the show in this groundbreaking neo-noir that mixes the hard-boiled nature of Jake Gittes with the colorful animation of Fantasia.
Maroon, Spielberg convinced the biggest rival studios - Disney, Warner Bros., Columbia, MGM, Universal, and more - to loan out their most iconic characters for the project. Set in an alternate version of 1940s Los Angeles where cartoons (or "Toons") exist alongside regular people, Who Framed Roger Rabbit was a masterstroke from director Robert Zemeckis and executive producer Steven Spielberg, both hot off the recent success of Back to the Future. RELATED: Why Roger Rabbit, an animated (and legal) marvel, would be impossible today They cast shadows, left tangible marks on physical objects, and, most importantly, had the correct line of eyesight when looking at the human characters. Wolf's 1981 novel, Who Censored Roger Rabbit?, the film changed all the rules by giving cartoon characters tangible and physical impact on our own three-dimensional world - and vice versa. Who Framed Roger Rabbit breaks new groundĪn adaptation of Gary K. Mary Poppins, Anchors Aweigh, and Pete's Dragon might have done it first, but Who Framed Roger Rabbit perfected the art of mixing live-action with animation, taking it to places no one had ever imagined. Audiences had to suspend their disbelief far beyond the normal limit to buy that Gene Kelly was dancing with Jerry Mouse or Julie Andrews was being served by penguin waiters. With that said, the execution left something to be desired it was rudimentary at best and, ultimately, less immersive. Prior to 1988, the idea of mixing live-action with animation in the same space wasn't a novel idea.
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